False Walls releases Molar's debut recording, continuing the
label's series of improvisation-based CDs.
Molar's electronic excursions are created with laptop, keyboard
and processed guitar, resulting in evocative and continuously evolving
soundscapes. Merging gritty analog with clean digital sounds, the
rhythms and melodies repeatedly morph, and tangential shifts in
each track take the listener to unexpected destinations.
The
group's brand of improvisation ranges from minimal to aggressive,
from dark to quirky. Although electronic in production, the results
are organic and impulsive, due in part to the live processing of
Jim Goodspeed’s guitar through Matthew Johnson’s keyboards. The
nature of this arrangement creates a diversity of timbres, with
unpredictable sounds and textures throughout the album.
The
recorded improvisations have been carefully structured through the
editing process in order to retain the spontaneity and reveal the
subtleties.
The
music challenges the categorization of being exclusively “electronic”. Molar's
attitude and interplay should appeal to improv, rock, and electronic
music devotees alike.
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