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fw04 - - Uchihashi Kazuhisa & Gene Coleman Storobo Imp.

release date: January 2004
running time: 64 minutes

price: $12 U.S., £10 U.K.   Order>>>

mp3: 1:52 [2.2mb]
mp3: 5:00 [5.7mb]
url: http://www.japanimprov.com/kuchihashi/

 


Storobo Imp. is a collection of improvised duo recordings by Uchihashi Kazuhisa (Japan) and Gene Coleman (US). Uchihashi Kazuhisa is widely known in the US and Europe as a member of Ground Zero (1994-97), and has performed with some of the worldís best known improvisers. Gene Coleman has diverse experience as an improviser, and is also a composer and music curator.

When Gene Coleman was living and working in Japan in 2001, he and Uchihashi Kazuhisa played a number of concerts together, and at the Storobo recording studio in Tokyo produced Storobo Imp. All tracks feature Gene Coleman on bass clarinet; Uchihashi Kazuhisa plays guitar/electronics on two tracks, while on other tracks plays the daxophone. The performances were fully improvised; no plan or structure was set in advance.

Remarkable improvisational engagement is revealed across a series of diverse settings: from manic squabbles to contemplative drifting; single shimmering notes to rhythmic and melodic sequences. The varied breath flowing through the bass clarinet meshing with the sounds of guitar and daxophone, exposing and exploring sounds tenderly and dynamically.
 

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Reviews of  Uchihashi Kazuhisa & Gene Coleman Storobo Imp.

01/01/2004
de:bug: Uchihashi Kazuhisa & Gene Coleman Storobo Imp

01/01/2004
Paris Transatlantic Magazine: Uchihashi Kazuhisa & Gene Coleman Storobo Imp.

10/01/2003
Tangents: Uchihashi Kazuhisa & Gene Coleman Storobo Imp.
 

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01/01/2004

de:bug, Berlin

Uchihashi Kazuhisa & Gene Coleman Storobo Imp (False Walls / fw04)

False Walls, a young label from Chicago, presents us a rare recording of an instrument invented by Hans Reichel - the daxophone. On this disc it is performed by the ex-Ground Zero member Kazuhisa who also plays guitar and electronics. Coleman plays bass clarinet. Improvisations don't like to be named. The tracks remain untitled to suggest openness or hints of themselves - but does it grumble from all directions! Coleman juggles the tubes of his instrument and Kazuhisa sensitively plays along with him or at times tackles him. Alleged chaos appears every now and then, yet the invisible thread between the two musicians holds strong and permits a most free and delicate 'together'. Impressive.

- translated by Boris Hauf
 

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01/01/2004

Paris Transatlantic Magazine, Paris

http://www.paristransatlantic.com

Uchihashi Kazuhisa & Gene Coleman Storobo Imp (False Walls / fw04)

Gene Coleman's work as a bass clarinettist and as a tireless promoter of genre-defying music (he's championed the music of Luc Ferrari and Mathias Spahlinger) is exemplary, and this set of seven improvised duos with Kazuhisa Uchihashi is superb. Uchihashi has been unfairly overlooked in recent times - other Japanese guitarists (of the onkyo persuasion) have tended to dominate the alt.music press - but he's been quietly perfecting not only his use of electronics but also the daxophone, a wild and wonderful instrument invented by Hans Reichel that sounds like a couple of walruses fucking in a plastic bathtub. (PT regulars will recall Kazu's appearance on the recent Spool trio date with Brett Larner and Joëlle Léandre, No Day Rising.) Together with Coleman's fruity bass clarinet, it sounds magnificent. Silly descriptions aside, there's a great sense of integrity to this music, and fabulous playing and listening throughout. While many guitarists these days seem to spend much of their time deciding which note to play next (or even whether to play at all), Uchihashi gets down to business, and it's a joy.
 

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10/01/2003

Tangents, UK

http://www.tangents.co.uk

Uchihashi Kazuhisa & Gene Coleman Storobo Imp (False Walls / fw04)

…a beautiful duo recording by Uchihashi Kazuhisa & Gene Coleman on Chicago’s False Walls label. storobo imp contains seven improvised duets where bass clarinet and daxophone, guitar and electronics, converse and explore the full range of sound, dynamics and silence. This is careful, mesmerising, considered music that quietly convinces.